Busy in July 2009

Corn God Study #1

Corn God Study #1

Some days I feel like in order to be satisfied in thinking I’ve created “something” I have to post an image of it every day.  Lately I haven’t posted much. You know, It isn’t like I haven’t been drawing and painting, but given how I’ve do my watercolors, and since that has been the majority of my work the past few weeks – I don’t feel like I’ve had much to show.  The reality is that I have a bunch of projects rotating at once – but none completed.

Jack-o-lantern Ideas

Jack-o-lantern Ideas

Mostly, I like to put down a layer of color, and then add another once it dries. This could mean, five minutes of painting and an hour or more waiting. Hey that kind of rhymes.

Sketch Ideas for Icons nestled in branches

Sketch Ideas for Icons nestled in branches

So the truth of it all, is that I do like to be able to make something, and then post it, and then have feedback. That is one reason I got such a kick out of my 30 day sketch project on facebook.  I was just inspired by feedback. Unfortunately, Most of the feedback I get on the art-blog is spam. Ads for online pharmacy schemes and drugs I don’t need. I take great satisfaction in using the SPAM and DELETE buttons.

Epcots Living Seas Icon in Oak Branch

Epcot's Living Seas Icon in Oak Branch

I don’t let it get to me because I know that I’m not really advertising my little blog and it’s not something that you would run into on google or some other big search engine.  That’s okay with me I guess. It’s my little online piece of self which I can log into from time to time. I can even log into it from my phone and feel all cool and trendy.

Cinderella with Pumpkin Sketch

Cinderella with Pumpkin Sketch

Seriously, I do get into the whole online thing. I’ve kept a written journal online since 2002. Before that I kept a hand written journal for major parts of my life. It’s just who I am.

As I mentioned before, I’m on a “Let’s draw and paint pumkins” kick. I don’t know why – maybe I’m wishing for a cool and dry autumn (my favorite and most productive time of year). It’s closer than you think you know.  I did a page of studies with various results. The best one I’ve done rates a solid “eh” on my scale, but I’m rarely blown away by my own stuff. I find it frustrating to see so clearly in my head what something should look like, only to have my result to not even come close.

Pumpkin Studies - Not drawn from life.

Pumpkin Studies - Not drawn from life.

Perhaps I’m being negative and I shouldn’t do that – there is no room for that here. Practice and Progress. Practice and Progress.

The projects in current rotation have been the studies of pumpkins, two separate works about jack-o-lanterns, an attempt at lily flowers and two versions of a funky sketch I did that I refer to as the corn god. Some of my art is a clear reaction from being isnpired by others, some of it is me trying to find my style and still some is just practice as in “I’m going to try to paint this”.

Corn God initial idea/sketch

Corn God initial idea/sketch

I can see improvements in some areas so all is not a loss. I’ve realized that certain paper responds well to what I’m doing, while others don’t. For practice I’ve gathered up all the odds & ends and pads around the house and I’ve just been blowing through them. So while some aren’t up to snuff, I would guess they are teaching me how to solve a problem or two. 

 

I still feel that I’m stronger in drawing but I’m drawn to improving my watercolors right now.  Perhaps watercolor feels more valid to me at this juncture.

I will continue to practice and to see what I can do with the watercolors and in the meantime I’ll continue to sketch out ideas. It’s fun and I feel happier than I have in a long time.

Sleeping Dragon - with pumpkins of course.

Sleeping Dragon - with pumpkins of course.

Thoughts on Altered Art & Collage

A recent trip to the library yielded a few books on altered art.  In my mind it translates as a type of collage, but done on books and other items instead of a traditional flat surface. I have this love/hate relationship with this type of art. 

 I find it compelling and it never fails to draw me in, one of these days I’m going to do this.  At the same time I get a bit put off by how contrived much of the imagery seems to be to me.  Perhaps it’s just that it seems that hundreds of people who practice the art do the same thing.  It’s interesting, but I always hear myself say “of course”. 

I’m convinced that there is a secret recipe book somewhere that tells you how to put these together.

Altered Art Canapés:

 Take a blank sheet of paper and paste newsprint, pictures of the apocalypse and vintage graphics of pie and cake,.  Next, wash as sloppy as possible with bright pink, purple or blood red ink.  Be sure these are the type of pigments that will fade over time.  When dry take a picture of the Madonna & child and past off center if desired cut out pictures of flowers, skulls and guns and surround. Color “make up” on the Madonna and skull if desired.  Add and old napkin and paste as a veil.  Previously used napkins are better than new.  Embellish with odd bits of string, a button and a gum wrapper.  Note – do not wash your hands during the process. Be sure there are bits of dirt and old food throughout. To finish consider stamping a word across the page such as “Mother”, “Birth” or “Lust”.

 Okay – so I’m being funny but you get the point.  I find most of the modern art/crafts to follow some kind of unspoken rules in imagery.  Of course, I’m one to talk as almost all the imagery in my own art is as boxed as you can find.  Pumpkins, Dragons, Flowers, Fish. “S” shaped squiggles, triangles and trapezoids.  Perhaps I should be more kind to these artists.

 Still, I envy these “scrap books” and altered art. I can celebrate the natural progression that has spawned the art form.  At one time, people kept scrap books as mementos and photo albums. I come across one of these at a flea market every so often and have to curve my inclination to buy them.  The “artsy” ones are never affordable anyway since the sellers now know what they have but one can dream.  These books are so unaware somehow. Sure, scrap booking was a wide-spread hobby that was probably taught with complete project examples given to the masses but it seems the decorations you find were not done because a pre-packaged kit told you to do it. They appear more personal and spontaneous somehow.  Maybe I haven’t seen enough of them.

 I have a scrapbook I made after high school that is kind of like this.  I purchased a big blank blue covered scrapbook.  It says “Scrapbook” on the cover.  The pages are hardly acid free and they are quite obviously not the highest quality.  A teeny bit more strong than construction paper I estimate.  In my youth, I pasted and taped and glued all kinds of things in it.  Greeting Cards, hall passes, notes and scribbles.  My favorite part is what is pasted in the back cover.  A drawing of the Tom Petty and the Heartbreakers logo a friend made in marker on the back of a spiral notebook for me. On top is glued a pipe cleaner version of the same logo I made.  It’s crude but honest.  The book has yellowed and some parts are now crispy.  I’m sure that upon my death it will hit the garbage faster than my body hits the ground, and is it somehow survives it will make a tasty snack for mice and silverfish.  I digress.

 Modern times have turned out pre-packaged formula scrapbooks for anyone. It has spawned better quality supplies and great stuff you can use in other applications, but somehow, something has been lost.  I suppose it’s great for the every-man who want’s to put together something special.  It also brings art and a personal touch into the lives of those who may not have nurtured the creative gene.  My dirty secret is that I too envy these canned albums.  Although I have never made one, I probably have enough supplies to make a few.

Doodles from Work Notes

Doodles from Work Notes

 The altered art journals are a natural progression and reaction to what is out there I suppose.  I really love the altered books I’ve seen. I can’t deny it.  It’s just that sometimes I see them and I feel like they are telling me the same story.  Still, I can’t resist all that “stuff” crammed into an otherwise bland looking book.

 A friend of mine had come for a visit several years ago.  They had eschewed most possessions in life but I did notice they carried around a big notebook.  I only got a quick glimpse of its contents but one of the pages exploded with pasted images of the sun. Why I didn’t ask to see it at the time I can’t remember.  Now that I think of it chances are that it may have been a “personal” journal or diary, but that glimpse of the fabulous inside never left me. 

 Besides the high school scrapbook, the closest I’ve come to consciously creating a scrapbook piece has been my “Doodle Book”.  I put this together a little over a year ago.  I have a bad habit of doodling all over my work notes and meeting agendas.  At one point I collected them and photo copied as many as I had on hand.  I started pasting them into a heavy papered spiral bound book.  In a way it was a lead in to my current art path again.  I suppose I could have been more “fancy” with putting it together but at the time the point was to prove to myself that no matter how small, the artist within me was still there.

Doodles from Work Notes

Doodles from Work Notes

 It’s been a good source of inspiration for me.  There are full scale ideas in those pasted photocopied marks. 

 Maybe someday I will not be so hard on altered art imagery.  Perhaps this day will be when I actually use it myself. Until that time, I’ll probably draw another pumpkin.

Magic Pumpkin Watercolor Sketch

"Magic" Pumpkin Watercolor Sketch

Updates – June 29, 2009

That darn dragon picture. Of course, I can’t leave it along. Every so often I sit down at it and do something – most recently I decided to play with salt in the watercolor. Next I continued to play with modeling the animal more.

The Dragon Continues to progress...

The Dragon Continues to progress...

Still – I have no idea where it’s going. I suppose it will “bother” me until it gets to some version of finished. They will continue to appear in my sketchbook for a while I think.

Dragon Sketches

Dragon Sketches

More Dragon Sketching

More Dragon Sketching

 

I’ve been working on items for the charity web site – I hope to get a fairy tale theme up soon. I worked on background images of a book with some success.

The First try at the book background

The First try at the book background

The second try for the book background.

The second try for the book background.

I also worked on the background to the invitation to a picnic event I’m involved with for the same charity.

The Picnic Invitation Background was cute.

The Picnic Invitation Background was cute.

I’m finding that for the most part – the art is working into my life nicely as long as I don’t force it. I do it only when it moves me, and I stay away when I have no interest.

Cleaning Up

The early part of this month has been a mixed bag in regards to art. On one hand, I’m quite satisfied to find that drawing & painting is becoming more of a routine for me and that I’ve been able to fit it into my schedule. On the other hand, my results this week have not been what I had wished.

There are some basic truths about me. One is that I have a very real art supply addiction. Seriously I never met a tube of paint I didn’t fall in love with. Paper? I’ve got to have stacks hanging around. Pencils? What brand, I’ll ask you. That strange once in a lifetime French curve? Don’t worry I got it somewhere.

I suppose that harboring supplies in itself isn’t exactly bad, but most of the time it works against me. There was a time when I could put all of my supplies in a single cardboard box and everything I could create was created from them. I imagine there was a sufficient use of the things I did have that kept things at bay. When I gave up being consciously active in my art, I didn’t use as much of my supplies and then things piled up. I put them in bags and boxes and under tables and in drawers. They lined closet shelves, some got lost in the garage. I may not have created as much as I wished, but shopped way more than I could have imagined.

Recently, while initiating one of what I hope will be many purges of the excess that I’m surrounded with, I realized that the bulk of my supplies were one factor that prevented me from creating anything. Honestly, it’s tough to create a painting when you can’t even find your supplies that are scattered all over the house. Once you have spent all your time looking for everything you need, your inspirations and energy pretty much dissipate.

Recently I took some time just to locate like objects and put them together. Doing this the true shopping madness was apparent and I wondered why I purchased so much stuff.

Well, that answer came easy. For me each Supply holds within it the promise of the key that unlocks your imagination. Subconsciously every time I went shopping, I found some object or supply that would be that magic answer to getting me kick started again. Unfortunately the object would come in the house and be eaten by all the other stuff looming around it. The very objects of inspiration formed a wall I could not get around.

The sheer foolishness of some of it was incredible. During the process it was common to hear me remark “Hey, it’s a number 2 brush!” followed soon after with “Hey, it’s another number 2 brush!” and another and another. Repeat the process with “pad of paper”, “eraser”, “pencil” or “paint tube” and you would get the idea.

Even worse, some of these objects were not even up to the standards of what I would want to work with. For example, while getting back into things, I decided that I didn’t want to work with any watercolors that were not lightfast. This gave me a baseline to weed out stuff I didn’t want. On a side note: Unfortunately there was one or two purchases following the process, but it was directed with what I needed to round out my palette of colors.

Another sad thing to note was all the materials I purchased that were either very sub-standard or had crossed the line into unusable. Time will do that to things. Considering everything, I suppose it just made them easier to get rid of. The student colors and supplies I wouldn’t use went into the “tag sale box” or to some child I knew will use them up. Kids are a great source for stuff like that.

On a positive note, the act of organizing these materials, and weeding out what was no longer usable is actually leaving me more motivated and able to create. Now that my brushes and my paints are in one place, I find it easier to sit down for ten minutes and play around with them. I keep a “kit” of my most likely to use by the kitchen table. Also – getting organized lets me use the kitchen table as an area to paint because my “stuff” is manageable and portable just like the old days.

I still have too much stuff, but that is me after all – always the pack-rat. At least I’m getting things down to levels where I’m in control. Don’t get me wrong – I still WANT every different color of every different brand of paint I can find, but I’m finding it easier not to impulse buy them all. I’m not expecting to have all my problems solved in one day (It did take years to build up the clutter) but little by little, I’m making progress.

In regards to what I have been drawing and painting:

 

Dragon Head Sketches

Dragon Head Sketches

I decided a couple of weeks ago that I had wanted to do something more than just some random sketching and playing with supplies and I had decided that I wanted to do it with watercolors. My ambition will be the death of me I think. Oh the fabulous idea I had of an underwater dragon guarding a treasure in a clam shell. Sure it was a cliché but I did some sketching and then happily went on to draw this dragon. Then, as I usually do, I inked the whole thing and then started to paint. Well, it wasn’t what I wanted exactly and it reminded me more of a comic book page.

Practice makes perfect - much practice is in order here.

Practice makes perfect - much practice is in order here.

 I wanted to change the drawing too. So I started again, and this time I tried the old method of doing a drawing on tracing paper and transferring it. I read about it in a book about Tasha Tudor. It’s also a method that my friends from way back had taught me. It also allowed me to trace off the predecessor.

Once again I dove in and laid down some color. It looked like a much better start but I soon remembered why we stretch watercolor paper. Buckle-City! Unfortunately I lost interest here.

Nice try but no cigar.

Nice try but no cigar.

I chose to ignore the paper issues for sake of practice and while I can’t say I like anything this project is producing, I keep reminding myself that it’s the learning from the practice that is the goal here. The output is secondary right now. Who knows, maybe I’ll produce something I’m happy with next time.

I’m not sure if I want to work on this exact piece at the moment but maybe he will come back into my orbit again.