Archive for Painting

Art n’ Craft

When I started “Finding Art Again” I took it so literally and confined myself to traditional art media. Drawing and Painting with a little sculpture here and there. In my youth I used to draw and paint or “do art”, as you might say, all the time. Then for a little more than a decade I didn’t do anything.

That isn’t exactly true.

What I didn’t do was create “hang on your wall” art. If I look back upon the middle ages of my creative self I will find there was art happening. In those so called dark days I taught myself to sew beyond your basic throw pillow making everything from my living room curtains to costumes for my charity interests. I crafted all sorts of little items that would find their way onto my desk or on an end table. I discovered how to make sugar skulls and decorate them with royal icing. I made at least one Christmas ornament every year. My work notes were (and still are) covered in doodles. I may have lost my way but I certainly didn’t lose art! I need to acknowledge that more. Creativity certainly isn’t something that you can put back in the box once it has escaped.

I wonder why I fall victim to the all too common snobbery of discounting other forms of creativity as not being an expression of Art. Yes my crafty types of projects are not my drawing and painting but they are no less important to the overall creative process. They have their own lessons to teach and each of these projects offers a certain therapeutic benefit that painting does not always give me. It’s really just not my personality to do one thing. I like variety.

I guess my point is – while I confined “Finding Art Again” to be just my drawing and painting I wonder if I really should have included it to be all of my creative output. Does the art tell the story or is it only a part of it. The complete picture of me is drawing, painting, sewing, crafting and whatever else passes my way. As long as I’m making something – I’m a fairly happy guy. I may post a few of my crafty endeavors and see how it goes. It is as if finding art is redefining it in a dynamic ever-changing process. I haven’t decided if I want to combine everything into one blog or not but I’m sure the process will be fun.

In search of a Perfect Watercolor Palette Box

It was decades ago, somewhere between my teen and early adult years, when I first decided that I was interested in working in watercolor. Until then – I was happy using the Crayola set of 8 colors that many of us will be familiar with. This was a big improvement over the tin box I received at some point as a child.  That set – which is still sitting in a box somewhere – was remarkable in its ability to resist water. I swear that each pan was coated with a layer of shellac just to keep the kids busy a few minutes longer. In any case, the little set of eight colors I had progressed to was, and still is, quite versatile, but I’m not one to limit myself to the basics.

Color Chart

My useful color chart

 I believe in the watercolor world there are two kinds of people – those who work from pans of color and those who work from tubes.  I’m a pan kind of guy.  I like to buy my paint in tubes and then fill some sort of permanent container with the colors for my use. If I need a large amount of something, I just get the tube and work that way. I’m sure years of working with watercolor sets as a child have influenced me.

Grumbacher Blue Box

Grumbacher Blue Box

 

So back to my young adulthood, all those years ago I had stumbled upon a palette box by Grumbacher which contained about twenty-five little wells and for years I was happy with it. I’m not sure if it was for watercolor or ink or what have you but I filled it with the basic colors and it served me well for a long time.  The lid was a perfect place to paste in a piece of watercolor paper for reference. This set up makes me happy.

Grumbacher Paint Box

Old Blue - my trusty paintbox for a couple of decades

As it happens with much of my art & craft supplies, my collection of paints has increased. Note: This is the point where all the purists go crazy and begin to lecture me about how you only need six colors, maximum and you can create any color from those very basic collections of warm and cool basics. If you want to go over the top you are allowed to take in a few earth tones, but don’t overdo it!

 I say BAH!!!! I was not put on this earth to limit myself to a tiny color palette!

 When I embarked on my mission to “Find Art Again” I pulled out my old blue box and began to search for another one so I could expand my available “pans” of color. Of course the Grumbacher paint box was nowhere to be found.  I wanted something that would allow me to expand to new colors as I found them but also to be flexible and somewhat portable.

 There are several “pan” boxes out there which would allow me to buy empty pans, fill them with my own color and rotate as desired. The cost of about $60 for a metal box with plastic inserts just didn’t sit well with me.  At that rate my Altoid’s mint boxes should be worth at least $5 a piece and I must have a fortune in soup cans at home.  For the record there are projects out there for making a travel palette from old mint tins and fimo clay.  I looked at make-up artist palettes but they were black in color and did not look like they could travel if needed.  I purchased a few Mijello Palettes but they sit in a drawer.  Next I decided that a custom solution might be in order.  I found these little paint containers sold at most craft stores and an idea began to form.  The main issue was how I would store and track all of these little containers. They are sold loose and the packages contained several sizes.  Some were opaque and others the wrong size.  None of them came in a handy storage box. How could I make them useful?

Storage Jars

Storage Jars

Then one day I stumbled upon these little containers by Darico that I think are designed to hold beads for jewelry makers.  They were exactly the right size for my needs, everything was clear plastic. There was a container with a lid. I could work with this.

Punched Watercolor Samples

Punched Watercolor Samples

So I began by making swatches of my paint colors and then I punched them out with a circle punch which was slightly smaller than the jar lids.  I glued them on with a little dab of white glue, labeled them with permanent ink and have found this to be a workable and flexible system for my watercolor pans.

Palette Box

My new and "improved" palette watercolor paint box.

So far I’ve enjoyed this type of paint box.  Perhaps the only thing I miss from my old Grumbacher box is the color chart that I’ve pasted to the cover.  The chart is a very useful thing to have.   I’d like to design something in the future that would allow me to arrange a selection of jars into a holder without the lids, but to still keep track of the contents either by a color chart or something that holds the lids to function as a color chart.  I’m sure I will come up with something – I just need more time to figure it out.

Jar of Color

Jar of Cadmium Yellow

I’m sure many will think this is just too complicated or time waster but once it was all in place there isn’t much to think about and every color I want is instantly at my disposal.  I can arrange colors any way I see fit depending on my project.  I can grab a few key colors if I want to take my paint on the road. 

Paint on the Horizon

Paint on the Horizon

I wonder if anyone else has ever done this or how they have solved the same need in the studio.  This is what happens when crafter meets artist I suppose.  There is a project in everything!

Frustrations

Flower Motif drawn years ago.

Flower Motif drawn years ago.

This week has been so frustrating. I feel like I can’t get anything I’m working on to do what I want it to do. It’s all too dark, too light, too wet, wrong color, messy, sloppy, and pointless. Insert a scene here of me throwing paints, brushes and paper around the house in an over the top dramatic style before collapsing upon my bed in a heap of tears.

 Okay – just kidding about the dramatics. This frustration though, I’m sure it’s part of the natural creative cycle, but that doesn’t make me feel any better at the moment.

 In some ways I really miss the way it was years ago when I was a teen practicing art.  It was so easy to be proud of almost any mark I could make.  Some of the worst drawings, by my standards today, were my favorites long ago. Perhaps as a teen you still hold on to the whole “Look what I made Mommy” experience. 

Ack!

Ack!

 Okay so to be honest, not everything from that period was awful and I find those old sketchbooks to be a nice little source of inspiration – but this isn’t helping my argument, so let’s just glaze over this point for now.  Back to the pity party.

Old Doodles on Red Paper

Old Doodles on Red Paper

 “Finding Art Again” was all fine and dandy until the honeymoon was over and the work began. Now the doubt sneaks in and I find myself wondering if I should continue. This is where I failed the last time – 15 or so years ago – when I decided to take the less creative, more practical path.  In some aspects of my life, that decision served my physical being well, but the soul suffered.

 I’m determined to continue though. I’m determined to break through this wall that presents itself to me so quickly. I don’t care how many substandard horrible pieces I have to paint. Deep down I know there is something good in there somewhere. I must find it.

 Much of my inspiration these days comes from being able to post stuff online.  It is a motivating factor. I was asked “Why do you bother” and I could only reply that I get a kick out of it. The internet is great for kicks. It’s great for promoting yourself. Shouting into the ether, whether someone is listening or not, can be very satisfying.

 This morning I snapped a few pictures of my work-space on the way out. I’m currently working in the dining area on a table that has been in my family since the seventies. I took over the space, but it’s all easily stored away if need be. I could be working on the actual art table I purchased years ago – but that has somehow become my computer desk. 

The New Dining Room Table

The "New" Dining Room Table

 

Another shot of the Table

Another shot of the Table

My trusty palate(s) of color

My trusty palate(s) of color

 

 I’m in the final stages of the current mess of paintings I started.  The pumpkins are okay, but I may have wanted more in the background. Perhaps I’ll figure it out soon. The super-pink flowers were an attempt to stop being so light with my paint. I took a deep staining paint and just went for it. On one hand I’m excited that there is so much color, on the other, the execution and detail is lacking. It would make a great fabric for bathing suits or tropical shirts.  I’m so sure.

Recent Work in Progress

Recent Work in Progress

Busy in July 2009

Corn God Study #1

Corn God Study #1

Some days I feel like in order to be satisfied in thinking I’ve created “something” I have to post an image of it every day.  Lately I haven’t posted much. You know, It isn’t like I haven’t been drawing and painting, but given how I’ve do my watercolors, and since that has been the majority of my work the past few weeks – I don’t feel like I’ve had much to show.  The reality is that I have a bunch of projects rotating at once – but none completed.

Jack-o-lantern Ideas

Jack-o-lantern Ideas

Mostly, I like to put down a layer of color, and then add another once it dries. This could mean, five minutes of painting and an hour or more waiting. Hey that kind of rhymes.

Sketch Ideas for Icons nestled in branches

Sketch Ideas for Icons nestled in branches

So the truth of it all, is that I do like to be able to make something, and then post it, and then have feedback. That is one reason I got such a kick out of my 30 day sketch project on facebook.  I was just inspired by feedback. Unfortunately, Most of the feedback I get on the art-blog is spam. Ads for online pharmacy schemes and drugs I don’t need. I take great satisfaction in using the SPAM and DELETE buttons.

Epcots Living Seas Icon in Oak Branch

Epcot's Living Seas Icon in Oak Branch

I don’t let it get to me because I know that I’m not really advertising my little blog and it’s not something that you would run into on google or some other big search engine.  That’s okay with me I guess. It’s my little online piece of self which I can log into from time to time. I can even log into it from my phone and feel all cool and trendy.

Cinderella with Pumpkin Sketch

Cinderella with Pumpkin Sketch

Seriously, I do get into the whole online thing. I’ve kept a written journal online since 2002. Before that I kept a hand written journal for major parts of my life. It’s just who I am.

As I mentioned before, I’m on a “Let’s draw and paint pumkins” kick. I don’t know why – maybe I’m wishing for a cool and dry autumn (my favorite and most productive time of year). It’s closer than you think you know.  I did a page of studies with various results. The best one I’ve done rates a solid “eh” on my scale, but I’m rarely blown away by my own stuff. I find it frustrating to see so clearly in my head what something should look like, only to have my result to not even come close.

Pumpkin Studies - Not drawn from life.

Pumpkin Studies - Not drawn from life.

Perhaps I’m being negative and I shouldn’t do that – there is no room for that here. Practice and Progress. Practice and Progress.

The projects in current rotation have been the studies of pumpkins, two separate works about jack-o-lanterns, an attempt at lily flowers and two versions of a funky sketch I did that I refer to as the corn god. Some of my art is a clear reaction from being isnpired by others, some of it is me trying to find my style and still some is just practice as in “I’m going to try to paint this”.

Corn God initial idea/sketch

Corn God initial idea/sketch

I can see improvements in some areas so all is not a loss. I’ve realized that certain paper responds well to what I’m doing, while others don’t. For practice I’ve gathered up all the odds & ends and pads around the house and I’ve just been blowing through them. So while some aren’t up to snuff, I would guess they are teaching me how to solve a problem or two. 

 

I still feel that I’m stronger in drawing but I’m drawn to improving my watercolors right now.  Perhaps watercolor feels more valid to me at this juncture.

I will continue to practice and to see what I can do with the watercolors and in the meantime I’ll continue to sketch out ideas. It’s fun and I feel happier than I have in a long time.

Sleeping Dragon - with pumpkins of course.

Sleeping Dragon - with pumpkins of course.